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American Focus > Blog > Culture and Arts > The Monstrous Empathy of Amaryllis R. Flowers
Culture and Arts

The Monstrous Empathy of Amaryllis R. Flowers

Last updated: March 2, 2025 4:57 am
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The Monstrous Empathy of Amaryllis R. Flowers
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Amaryllis R. Flowers’s exhibition “Pursuing Defeat” at Hecho a Mano in Santa Fe is a mesmerizing display of fantastical artwork that transports viewers into a world of intricate detail and vibrant colors. The artist’s use of butterfly stickers, googly eyes, and other embellishments creates a sense of whimsy and wonder in pieces like “Wayfinder” and “Calendar.” These works invite viewers to explore a narrative filled with mysterious figures, otherworldly beings, and underground tunnels, each piece offering a glimpse into a larger, never-ending story.

Flowers, who identifies as queer and Puerto Rican-American, infuses her art with themes of psychic revolt and empowerment. Through her use of monster mythology and autonomy, she seeks to create a space where individuals who feel out of place or unwanted can find solace and inspiration. The larger-than-life figures, shimmering gems, and iridescent streamers in works like “No Man’s Land” and “ENTER GAME” exude a sense of resilience and defiance, challenging traditional notions of beauty and identity.

The exhibition at Hecho a Mano serves as a sampling of Flowers’s larger body of work, offering a glimpse into a feminist fairytale or a femme fantasy video game. Each piece is a testament to the artist’s monstrous empathy and zest for life, encouraging viewers to embrace their true selves and celebrate their individuality. “Pursuing Defeat” is a celebration of diversity, empowerment, and the endless possibilities of the imagination.

For those interested in experiencing Amaryllis R. Flowers’s enchanting artwork firsthand, “Pursuing Defeat” will be on display at Hecho a Mano in Santa Fe until March 3. Don’t miss this opportunity to step into a world of magic, mystery, and self-discovery.

See also  Ethereal Weavings Merge Architecture and Nature in Élise Peroi's 'For Thirsting Flowers' — Colossal
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