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American Focus > Blog > Culture and Arts > ‘Turn the Volume Up!’ Highlights the History of Speaking Out for Change in America — Colossal
Culture and Arts

‘Turn the Volume Up!’ Highlights the History of Speaking Out for Change in America — Colossal

Last updated: August 16, 2026 12:50 am
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‘Turn the Volume Up!’ Highlights the History of Speaking Out for Change in America — Colossal
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The Nasher Museum of Art at Duke University is currently showcasing an exhibition that explores themes of American democracy and freedom of speech. This exhibition focuses on art as a powerful tool for social change, featuring a diverse array of artworks and artifacts related to social justice and community organizing.

The exhibition, titled Turn the volume up!, presents a collection of works by contemporary artists and photographers. Among the featured artists are Spider Martin, known for his compelling photographs of the Freedom Marches during the Civil Rights Movement, and Kara Walker, who critically examines U.S. history and racial stereotypes through multimedia art. The exhibit also includes works by the Guerilla Girls, Carrie Mae Weems, Kiki Smith, Bruce Davidson, and others.

a silhouette artwork by Kara Walker of a stereotypical profile of a Black man superimposed on a background image of people in a rural setting during the Civil War
Kara Walker, “Confederate Prisoners Being Conducted from Jonesborough to Atlanta” from the portfolio ‘Harper’s Pictorial History of the Civil War (Annotated)’ (2005), offset lithograph and screenprint on paper, edition 35/35, 39 x 53 inches. © Kara Walker, photo by Peter Paul Geoffrion

The Nasher Museum has structured the exhibition into five thematic sections: Remarks, Organize, Records, Dissents, and Petitions. Through photographs, sculptures, installations, and paintings, the exhibit demonstrates the various artistic languages used to communicate vital messages and inspire civic engagement.

The Guerilla Girls, for instance, gained attention in the 1980s for their posters highlighting the underrepresentation of women artists in visual arts and popular culture. Bruce Davidson’s photography captures social inequality, ranging from the Jim Crow South to struggling neighborhoods in New York City. Meanwhile, Carol Summers’ screenprint featuring a bold red “X” over an image of a Vietnamese mother and her children was part of the Artists and Writers Protest campaign against the Vietnam War.

As the exhibition progresses, the displayed pieces will be rotated, allowing visitors to experience a broad spectrum of the museum’s collection. Turn the volume up! opens on August 27 and will be available until July 11, 2027. Concurrently, Everything Now All at Once continues through November 1.

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an artwork by Carol Summers featuring a Vietnamese woman and her children in a black-and-white photo, with a giant red
Carol Summers, “Kill for Peace” from the portfolio ‘Artists and Writers Protest Against the War in Viet Nam’ (1967), screenprint on paper, edition 81/100, 23 1/2 × 19 1/4 inches. © Estate of Carol Summers, photo by Peter Paul Geoffrion
a sculpture by Sam Durant of a small chainlink fence that looks like a cage, with a sign that reads
Sam Durant, “…For People Who Refuse to Knuckle Down” (2004), steel and wood, 90 x 82 x 82 inches. © Sam Durant, photo by Peter Paul Geoffrion
an artistic portrait of Malala Yousafzai
Carlos Vega, “Who is Malala” (2016), mixed media including oil and etched lead on panel, 62 3/8 x 52 3/8 x 2 5/8 inches. © Carlos Vega, photo by Brian Quinby
a black-and-white photo by Bruce Davidson of a Black woman at a civil rights march wearing a sign that reads
Bruce Davidson, “Time of Change” (1962), gelatin silver print, 10 x 8 inches. © Bruce Davidson
an artwork by Thomas Hirscchorn of a gold chain made of cardboard and gold wrapping paper that has a pendant in the shape of the CNN logo
Thomas Hirschhorn, “CNN-CHAIN” (2002), cardboard, gold wrapping paper, and tape; edition 3/50, 98 1/2 x 31 1/2 x 4 inches. © Thomas Hirschhorn, photo by Peter Paul Geoffrion
a black-and-white photo by Spider Martin of Martin Luther King, Jr., giving a speech at the March on Washington in 1965
Spider Martin, “Dr. King Speaks to the Crowd of 25,000 people at the March’s End” (1965), archival digital print on exhibition fiber paper, edition 2/3, 24 x 35 1/2 inches. © Spider Martin/Briscoe Center For American History
an oil painting by Peter Williams with numerous grid-like compartments containing cartoonish faces and objects
Peter Williams, “Incarnation” (2019), oil-based enamel, oil and graphite on canvas, 60 x 72 inches. ©The Estate of Peter Williams, photo by Brian Quinby

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