Jacques Monneraud’s ceramic vessels may initially appear to be simple craft projects made from cardboard tubes and tape, but a closer look reveals a complex and intricate art form. In his ongoing CARTON series, Monneraud explores the interplay between material and perception by creating vessels that mimic the appearance of cut paper.
To achieve the unique corrugated detailing on his vessels, Monneraud blends three types of clay and throws the core shapes on a potter’s wheel. He then uses a handmade wooden tool to create triangular impressions in the clay, giving the illusion of cardboard patched together with adhesive. Despite their appearance, these ceramic containers are completely water-tight and resistant to warping.
Inspired by the subtle and playful oil paintings of Italian artist Giorgio Morandi, Monneraud recently created a series of ceramic vessels that pay homage to Morandi’s compositions. In his exhibition titled Life, still., currently on display in Brussels, Monneraud explores Morandi’s approach to “cosiddetta realtà,” or “so-called reality,” by mimicking the shapes and arrangements of objects in Morandi’s paintings.
Visitors to the exhibition can see pitchers, vases, jars, and other ceramic shapes that resemble the muted still lifes in Morandi’s work. By emulating Morandi’s attention to volume, line, and perspective, Monneraud creates a trompe-l’œil effect that challenges viewers’ perceptions of reality.
Life, still. is open on Saturdays through November at 38 Quai du Commerce in Brussels. To see more of Monneraud’s work, visit his Instagram page. If you appreciate stories and artists like Monneraud, consider becoming a Colossal Member to support independent arts publishing and enjoy benefits like ad-free browsing, discounts in the Colossal Shop, and a members-only newsletter.
