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American Focus > Blog > Culture and Arts > NEVERCREW Explores Our Tenuous Relationship with Nature in Huge Murals — Colossal
Culture and Arts

NEVERCREW Explores Our Tenuous Relationship with Nature in Huge Murals — Colossal

Last updated: April 15, 2026 10:15 pm
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NEVERCREW Explores Our Tenuous Relationship with Nature in Huge Murals — Colossal
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Artists Christian Rebecchi and Pablo Togni, known as NEVERCREW, excel at integrating the vastness of nature into urban settings. Their vibrant, large-scale murals creatively depict animals by blending them with other elements like instant photos or, more recently, a plastic punch-out toy. Their piece “Souvenir,” completed this year in Vienna, features a large bear intertwined with Arctic symbols such as icebergs, a seabird, and a steamship.

In a statement, the artists explain, “The natural environment appears transformed, filtered, made artificial: it is no longer a space experienced through relationship, but a distant construction.” They describe their work as “almost a simulation reflecting a perception of nature progressively emptied of empathy…Nature becomes something to observe, arrange, organize, as if it were a separate object rather than a system of which we are an integral part.”

a large mural by Nevercrew of a number of grizzly bears gathered around a Polaroid picture of a tree in a forest
Detail of “Bracketing”

In recent years, NEVERCREW has completed numerous architectural paintings that explore the delicate balance between humans and nature, particularly wildlife. They depict whales, bears, and elephants inside terrariums or wrapped in fabrics.

The depiction of animals on building walls, confined within architectural limits, serves as a reminder of the conflict between daily human activities and urban infrastructure. For Rebecchi and Togni, introducing nature into these spaces emphasizes the necessity of maintaining the connection between humans and nature.

Discover more on the artists’ Instagram.

a pair of murals on the sides of white buildings by Nevercrew
“Bracketing” (2021), diptych, Jarville-la-Malgrange, Nancy, France. Curated by LeMur Nancy
a detail of a large mural by Nevercrew of a number of grizzly bears gathered around a Polaroid picture of a tree in a forest
Detail of “Bracketing”
a large mural by Nevercrew of a number of blue whales swimming around a Polaroid photo of an iceberg
Detail of “Bracketing”
a mural by Nevercrew of blue whales inside of an upside-down terrarium
“Gravity” (2021), Le Locle, Switzerland, for Exomusée
a mural by Nevercrew of an elephant inside of a toy terrarium
“Switch” (2024), Wuppertal, Germany, for Urbaner Kunstraum Wuppertal, curated by Valentina Maoilov
a detail of a mural with a large key, shown for scale next to a person
Detail of “Switch”
a detail of a mural by Nevercrew of an elephant inside of a toy terrarium
Detail of “Switch”
a mural by Nevercrew of a grizzly bear inside of an upside-down terrarium
“Wire” (2023), Paradiso, Switzerland. Organized and curated by Freefox Architecture Studio
a detail of a mural by Nevercrew of a punch-out plastic toy featuring a blue bear, a ship, animal heads, and other details
Detail of “Souvenir”
a detail of a mural by Nevercrew of a punch-out plastic toy featuring a blue bear, a ship, animal heads, and other details
Detail of “Souvenir”

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See also  In 'The Party is Over,' Murmure Confronts the Absurd Spectacle of the End Times
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