The latest exhibition at New York University’s MFA program showcases a unique exploration of the human body and its relationship to perception, stress, and societal norms. The senior thesis show delves into the complexities of the physical form, offering fresh perspectives on how we view and interact with our bodies.
One standout piece from the exhibition is Finley Doyle’s oil painting titled “On another scale” (2024). Doyle presents a self-portrait on a blue teapot, surrounded by photos depicting significant moments from her life. The distorted reflection in the teapot serves as a metaphor for the societal pressures and expectations placed on women to conform to certain standards. Doyle’s work challenges viewers to consider the impact of external influences on our self-image and identity.
Another striking piece is Nick O’Connell’s sculpture “Dominion” (2025), which explores the limits of bodily perception. The sculpture features a reinterpretation of the Laocoön sculpture with a focus on constricted body parts, highlighting the ways in which unseen forces can shape our experiences. O’Connell’s intricate piece prompts viewers to reflect on the hidden influences that govern our actions and decisions.
Lizzy Choi’s wearable sculpture, “Ctenophora” (2025), takes a bold stance against traditional beauty standards and gender norms. The comb jellyfish-inspired corset challenges the viewer to confront the aggressive nature of societal expectations and norms. Choi’s work empowers individuals to embrace their uniqueness and resist oppressive ideals.
Chloe Mosbacher’s drawings of bumblebees and butterflies invite contemplation on our relationship with the natural world. By enlarging these insects and emphasizing their vulnerability, Mosbacher prompts viewers to reconsider the importance of these creatures in sustaining our ecosystem. Her work serves as a reminder of the interconnectedness between human bodies and the environment.
Wyatt Nelson’s sculpture “Circling the Wagons” (2025) offers a poignant critique of colonialism and power dynamics. Through a thought-provoking display of Conestoga wagons and miniature figurines, Nelson challenges viewers to confront the unsettling legacy of White supremacy and technological advancement. His work sparks conversations about societal structures and the impact on individual bodies and identities.
The NYU MFA Class of 2025 Thesis Show: Part 2 is a thought-provoking exhibition that pushes the boundaries of traditional body art. From paintings to sculptures to wearable art, the show presents a diverse range of perspectives on the human body and its complexities. Visit the exhibition at 80 WSE in Greenwich Village, Manhattan, until May 24 to experience these innovative works firsthand.
