Art Review: Inquietud. Libertad y democracia at La Casa Encendida in Madrid
The exhibition “Inquietud. Libertad y democracia” at La Casa Encendida in Madrid is a powerful and thought-provoking exploration of the state of democracy in Spain and Portugal. Curated by Paulo Mendes and Sandra Vieira Jürgens, the show features more than 50 artists and nearly 80 artworks that delve into the tumultuous history of both countries as they transitioned from dictatorship to democracy.
The title of the exhibition, “Inquietud,” is taken from a song by Portuguese artist José Mário Branco, which captures the restlessness and instability that followed the revolutions in both countries. The exhibition space is designed to reflect this sense of unease, with its provisional, unfinished walls evoking a construction site. This serves as a reminder that democracy is an ongoing project that requires constant vigilance and effort.
One of the standout pieces in the exhibition is Santiago Sierra and Jorge Galindo’s video installation “Los Encargados” (“Those in Charge”). The video features a procession of black vehicles carrying oversized portraits of Spain’s presidents, including Juan Carlos I, in a somber and funereal manner. This powerful imagery calls into question the legacy of the Spanish monarchy and its role in the country’s transition to democracy.
Another striking work in the exhibition is Eduardo Arroyo’s dual portrait of Victor Emmanuel III, the controversial Italian monarch who supported Mussolini’s fascist regime. The portrait serves as a reminder of the dark history that lurks behind the facade of democracy, and the need to confront and address these uncomfortable truths.
Overall, “Inquietud. Libertad y democracia” is a timely and important exhibition that challenges viewers to reflect on the fragility of democracy and the constant struggle to protect and defend it. Through a diverse range of artworks and perspectives, the exhibition offers a nuanced and complex exploration of the challenges facing Iberian democracy today. “Inquietud. Libertad y democracia” is a groundbreaking exhibition currently on display at La Casa Encendida in Madrid, Spain. Curated by Paulo Mendes and Sandra Vieira Jürgens, this thought-provoking showcase features a diverse array of works that challenge authoritarianism, explore societal norms, and celebrate the ongoing struggle for freedom and democracy.
One of the standout pieces in the exhibition is a pair of paintings from 1962 that boldly critique authoritarianism. In one painting, the king appears comically small beneath his exaggerated military regalia, while in the other, he is depicted as a shriveled, pathetic figure. These images serve as a brave attack on oppressive regimes, with a clear nod to the Franco dictatorship in Spain. The artist’s bold criticism of authoritarianism is a powerful reminder of the importance of safeguarding democracy.
Another compelling work in the exhibition is Anna Jermolaewa’s video installation “The Doubles” (2021), which follows impersonators of historical figures like Lenin, Stalin, Gorbachev, and Putin in Moscow’s Red Square. These impersonators offer fascinating insights into society’s complex relationship with its most ruthless rulers. One actor, in particular, fondly recalls his mother celebrating his resemblance to a young Stalin, despite the dictator’s legacy of cruelty. This installation serves as a stark reminder of the dangers of romanticizing oppressive leaders.
The exhibition also delves into the struggles faced by women under Spanish and Portuguese dictatorships. Bárbara Fonte’s lenticular photo series, “Sem título (As mulheres do meu país)” (“Untitled [The Women of My Country]”) (2025), explores the contradictory roles of Portuguese women within traditional systems of religion and sexuality. The works shed light on the oppression faced by women during these dark periods in history and highlight the importance of gender equality in the fight for democracy.
Additionally, the exhibition addresses the complex legacy of Portugal’s colonial empire, which once spanned countries like Angola, Cabo Verde, Guinea-Bissau, and Mozambique. Francisco Vidal’s “African Hair Cut 5” (2018) is a striking portrait painted on machetes, which symbolizes the country’s history of mandatory conscription, wars, and immigration. These works serve as a poignant reminder of the lasting impact of colonialism and the ongoing struggles for liberation.
“Inquietud. Libertad y democracia” is not just an exhibition; it is a call to action. As democracy faces threats around the world, these powerful works serve as a poignant reminder of the fragility of freedom. The artists featured in this showcase challenge viewers to reflect on the importance of protecting liberty and nurturing democracy. As curator Berástegui aptly puts it, “Freedom isn’t something given, but something earned.” This exhibition is a necessary and timely exploration of the ongoing struggle for freedom and democracy.
Don’t miss your chance to experience “Inquietud. Libertad y democracia” at La Casa Encendida in Madrid until March 8. This exhibition promises to inspire, provoke thought, and ignite a passion for defending democracy in an increasingly turbulent world.
