The exhibition at the Georgia O’Keeffe Museum, titled “Tewa Nangeh/Tewa Country,” is a significant step in dispelling the problematic narrative of “O’Keeffe Country” that has long overshadowed the contributions of Tewa Pueblo artists in Northern New Mexico. The inclusion of works by Tewa artists, scholars, and culture bearers alongside O’Keeffe’s iconic landscapes offers a more inclusive and diverse perspective on the region’s art and culture.
One of the standout artists in the exhibition is Arlo Namingha, a member of the Ohkay Owingeh tribe. His sculptures, such as “Paa’ Shad’eh” (Deer Dance) and “Sandhills,” pay homage to nature, traditional practices, and the interconnectedness of all living beings. Through minimalist abstractions and thoughtful compositions, Namingha invites viewers to reflect on their relationship with the land and the importance of honoring indigenous traditions.
Photographer Michael Namingha, also from the Ohkay Owingeh tribe, addresses environmental issues and the impact of extractive industries on the land. His work “Disaster #8” starkly portrays the destructive forces of human activity on the environment, drawing attention to the urgent need for sustainable practices and environmental stewardship.
The exhibition also features works that engage with Georgia O’Keeffe’s legacy, such as Marita Hinds’ piece “Let’s Have Tea, Tea Time with Georgia.” This artwork, made from traditional and micaceous clay, pays homage to O’Keeffe’s connection to the land and her interest in Native American culture. By incorporating elements of O’Keeffe’s aesthetic into indigenous art practices, Hinds highlights the complex relationships between art, culture, and identity.
Overall, “Tewa Nangeh/Tewa Country” challenges the dominant narratives of Western Modernism and celebrates the rich artistic traditions of the Tewa Pueblo community. By showcasing the diverse perspectives and voices of indigenous artists, the exhibition offers a more nuanced and inclusive understanding of the art and culture of Northern New Mexico. It serves as a reminder of the importance of acknowledging and honoring the contributions of indigenous peoples to the artistic heritage of the region. The Georgia O’Keeffe Museum in Santa Fe, New Mexico, is currently hosting an exhibition titled “Tewa Nangeh/Tewa Country,” curated by Bess Murphy and Jason Garcia. The show explores O’Keeffe’s connection to the land in Northern New Mexico and the Tewa people who have called it home for generations. One of the most poignant moments in the exhibition is when Catanach questions O’Keeffe about her experiences as a visitor in the region. He asks her if she makes the connection between the land that inspires her art and the people who have lived there for so long.
This line of questioning highlights the importance of acknowledging the indigenous inhabitants of the land and their rich cultural heritage. O’Keeffe’s fame and notoriety through her art are contrasted with the deep-rooted history of the Tewa people, prompting visitors to consider the intersection of art, culture, and land.
One striking piece in the exhibition is “Let’s Have Tea, Tea Time with Georgia” by Marita Hinds, a member of the Tesuque Pueblo. Hinds created a set of handmade teapot, cups, and saucers using clay and red willow, a stark contrast to the designer teapots collected by O’Keeffe. The juxtaposition raises the question of what these two women would discuss over tea if they were to meet, bridging the gap between different artistic traditions and perspectives.
Co-curator Jason Garcia emphasizes that the exhibition is not about condemning O’Keeffe but rather engaging with her vision of the land in the context of Tewa experiences. The show challenges the Georgia O’Keeffe Museum to continue sharing this vision and to represent the story of Tewa country authentically.
“Tewa Nangeh/Tewa Country” invites visitors to reflect on the complex relationship between art, culture, and land. Through thought-provoking questions and powerful visual representations, the exhibition encourages a deeper understanding of the interconnectedness of artistic expression and indigenous heritage.
The exhibition will be on display at the Georgia O’Keeffe Museum until September 7, 2026, offering a unique opportunity to delve into the diverse narratives of Tewa country and O’Keeffe’s artistic legacy. Don’t miss the chance to explore this compelling showcase of art, history, and cultural exchange.
