New York Exhibition Showcases Late Feminist Sculptor’s Migration-Themed Works
Amidst the buzz of Frieze Week, a New York exhibition is bringing to light the stunning sculptures of late feminist artist Mary Ann Unger. Unger, who passed away in 1998 at the age of 53 after a battle with breast cancer, is being honored with a solo exhibition at the Berry Campbell gallery in Chelsea, running until May 17.
The focal point of the exhibition is Unger’s monumental sculpture titled “Across the Bering Strait” (1992–94). This striking piece, made from graphite-washed Hydrocal cement over steel and cloth armatures, is a testament to human migration across time and space. Its organic, bulbous forms evoke images of evolution, migration, and passage over millennia, resembling everything from fossilized bones to primitive tools.
In her original text about the work, Unger references the ancient Mongol migration over the Beringia land bridge, connecting Asia to Alaska thousands of years ago. She draws parallels between this historical migration and the journeys of present-day migrants, highlighting the continuity of human movement throughout history.
The relevance of Unger’s work to contemporary issues of immigration and global connectivity is striking. In a statement from 1994, she remarked on the power of migration in creating a global village, a sentiment that feels more poignant than ever in today’s political climate.
The exhibition at Berry Campbell gallery is a significant undertaking, with “Across the Bering Strait” being displayed in its entirety for the first time in New York City. The gallery’s co-owner, Christine Berry, describes the experience of viewing the sculpture as being immersed in a journey, feeling propelled to move alongside the figures depicted in the work.
In addition to the central sculpture, the exhibition features other works from Unger’s archive, including colorful standalone sculptures that play with gravity and biomorphism, as well as graphite sketches of her iconic “Hexagonal Quintet” motif. The show offers a comprehensive look at Unger’s artistic vision and her exploration of themes related to migration and human experience.
Despite her untimely passing, Unger’s legacy continues to resonate in the art world. A two-time recipient of the Pollock-Krasner Foundation award, a three-time Yaddo Residency fellow, and a 1992 Guggenheim fellow, Unger’s work is held in prestigious institutional collections across the country.
The representation of Unger’s estate by Berry Campbell gallery marks a new chapter in the artist’s recognition. Co-owners Christine Berry and Martha Campbell were introduced to Unger’s work through her daughter, artist Eve Biddle, and were inspired to share her story with a wider audience.
As Unger’s sculptures take center stage in this compelling exhibition, her unique vision and exploration of migration and human connection continue to resonate with viewers, offering a powerful reflection on the timeless themes of movement and transformation.
