Paramount+ continues to shine as one of the premier streaming services, consistently enhancing its film library month after month.
This October, viewers are in for a treat with a slew of must-see films added to the platform.
A highlight in the collection is Fight or Flight, featuring Josh Hartnett in an action-comedy that debuted earlier this year — make sure to catch it if you missed it in theaters. For those in the mood for something darker, consider Nightcrawler, starring Jake Gyllenhaal in one of his most chilling roles.
Continue reading for Watch With Us’ recommendations on what to stream next on Paramount+.
Want more suggestions? Explore the Best New Movies on Netflix, Max, Hulu, Amazon Prime Video and More, the Best Movies on Amazon Prime Video Right Now, the Best Movies on Hulu Right Now and Best Movies on Netflix Right Now.
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The resurgence of Josh Hartnett continues with Oppenheimer and Trap, now confidently rolling forward with Fight or Flight. Hartnett plays Lucas Reyes, a mercenary tasked with tracking down a wanted criminal on an international flight. However, the twist reveals that the plane is filled with assassins intent on killing both him and the criminal he is protecting, forcing them into an uneasy alliance.
Hartnett delivers a uniquely wild performance, less serious than dramatic, capturing the essence of a tightly-knit action-comedy. The absurd premise is executed in delightfully chaotic fashion, complete with intense action scenes and committed acting that makes Fight or Flight an absolute joyride.
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Lou Bloom (Jake Gyllenhaal) is a socially awkward loner and petty thief who prowls the streets of Los Angeles at night, hunting for harrowing crime scene footage. His goal is to sell these chilling visuals to local news stations, pushing boundaries to capture the ultimate shot. Upon meeting a seasoned news director (Rene Russo), Blooms’ ambition spirals, leading him to extreme measures to fulfill her ratings demands.
Gyllenhaal’s portrayal in Nightcrawler is celebrated for its depth — he captures the morally void and sociopathic character of Bloom with disturbing precision, and the film (nominated for an Oscar for its screenplay) serves as a darkly thrilling critique of media’s ethical decay.
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In one of many collaborations between Tim Burton and Johnny Depp, Depp takes on the role of Ichabod Crane in Burton’s quirky adaptation of Washington Irving’s “The Legend of Sleepy Hollow.” Sent from New York City, Crane investigates a string of bizarre murders plaguing the town of Sleepy Hollow, where he soon realizes he’s dealing with a supernatural foe: a headless horseman.
As the tale unfolds, Crane confronts the sinister being, attempting to unveil the mystery surrounding its reign of terror and the dreaded decapitations haunting the town.
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Amy Adams plays Louise Banks, a linguist drawn into a pivotal global event — the arrival of extraterrestrial beings. Directed by Denis Villeneuve (Dune), Arrival offers a poignant sci-fi exploration of love, grief, and the complexities of time.
As tensions threaten to escalate into war following the Heptapods’ arrival, Banks embarks on a race against time to decode the aliens’ language and discover their intentions. With the help of Colonel Weber (Forest Whitaker) and physicist Ian Donnelly (Jeremy Renner), they strive to unlock the meaning behind the Heptapods’ presence.
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During the 1960s and 1970s, the elusive Zodiac Killer haunted the San Francisco area, randomly murdering unsuspecting victims. Cartoonist Robert Graysmith (Jake Gyllenhaal) becomes ensnared by the case, driven to decode the killer’s cryptic letters to newspapers like the San Francisco Chronicle, believing it may hold the key to stopping the killer. But will his fixation jeopardize his career and personal life?
Despite its initial box office underperformance in 2007, Zodiac has gained critical acclaim and is often cited as one of the finest films of the 21st century, a testament to David Fincher‘s skilled direction and the impressive ensemble, including Robert Downey Jr., Mark Ruffalo, and Chloë Sevigny. Emulating real life, Zodiac navigates a thriller landscape without a neat resolution, echoing the haunting reality that some mysteries remain unsolved.
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A young girl, Amanda McCready (Madeline O’Brien) goes missing, sparking a media frenzy as her mother, Helene (Amy Ryan), desperately appeals for her return on live television. Two Boston detectives, Patrick (Casey Affleck) and Angie (Michelle Monaghan), are assigned to the case but soon find that Amanda’s disappearance is tied to a dangerous drug dealer. With an abundance of suspects and scant clues, the detectives race against time to find the girl before it’s too late.
Released amid critical acclaim in 2007, Gone Baby Gone is a riveting crime thriller filled with tension and societal commentary. It impressively captures the essence of Boston city life, as director Ben Affleck expertly depicts the city’s rhythm. Ryan’s performance as Amanda’s troubled mother earned her an Oscar nomination, and the film concludes with a surprising twist that leaves viewers pondering long after the credits roll.
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“He had it coming!” sings Velma Kelly (Catherine Zeta-Jones), a beleaguered character caught in the trial of an era in the film adaptation of Chicago. As she stands accused of murdering her boyfriend and sister, she’s joined by Roxie Hart (Renée Zellweger), another woman entangled in scandal after killing her lover. Together, they captivate the public’s attention in 1920s Chicago, but can they charm their way out of the electric chair?
A recipient of the Best Picture Oscar, Chicago dazzles with its sensational musical numbers and an engaging story. The standout tracks, especially “All That Jazz,” showcase tension and thrills, while Zellweger and Zeta-Jones shine as media-savvy murderesses, with Richard Gere making a memorable appearance as their cunning legal advisor.
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The Last Stop in Yuma County may not have achieved blockbuster status during its theatrical release, but it stands out as one of the most impressive neo-Westerns in recent years. Set during the 1970s amid a gas shortage, a knife salesman (Jim Cummings) finds himself trapped in a diner with a waitress, Charlotte (Jocelin Donahue), when a pair of armed robbers enter seeking fuel.
As the situation intensifies, the salesman must confront his limits and decide just how far he’ll go to ensure his survival and that of Charlotte while caught in dire circumstances.
The Last Stop in Yuma County is available for streaming on Paramount+.
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